نوع المستند : المقالة البحثیة
المؤلفون
1 طالبة الدکتوراص في قسم اللغة العربية وآدابها بجامعة خليج فارس، بوشهر، إيران
2 أستاذ مشارك في قسم اللغة العربية وآدابها بجامعة خليج فارس بوشهر، إيران
3 أستاذ مشارك في قسم اللغة العربية وآدابها بجامعة شهيد بهشتي، طهران، إيران
المستخلص
إن البنية الإيقاعية تنبعث من البنية الصوتية والصرفية والمعجمية لأي لغة، کما في اللغة العربية، ترتبط الدراسة العروضية بمعرفة نسج الكلم ة وت والي
المقاطع الصوتية. فدراسة المقطع الصوتي لها أهمية بالغة في ميدان الدراسة العروضية من حيث البناء والوزن، ولها أيضا تأثير کبير في الحف ا عل ی
اللغة. ومن المعلوم أن طاقات اللغة العربية غير المحدودة جعلت منها لغة موسيقية، متوازنة ومنسجمة، فتتميز عن غيره ا م ن اللغ ات به لص الص فة.
اتخل الإيقاع بآفاقه الواسعة اتجاهات مختلفة عند الباحثين، إلا أننا لا نجد بحثا يسلط الضوء علی الفاعلية الإيقاعية للمعتلات وما تلعبه م ن دور ف ي
ليونة الإيقاع وإثراء التشكيل الإيقاعي من هلا البعد. وعليه، انصبت دراستنا في موضوع الإيقاع الخارجي علی کشف دور المع تلات. يه د البح ث
الحالي، باستخدام المنهج الوصفي التحليلي، إلی معرفة أثر المعتلات في صياغة المقاطع العربية وموسيقی الشعر العربي الخارجية ومدى فاعليتها
في تشكيل البنية الإيقاعية العامة للنص وارتباط ذلك بالبعد الدلالي أحيانا. أما للكشف عن دور المعتلات في الإيقاع الخارجي فرصدنا تلك الظواهر
الإيقاعية، حيث يكون لأحر العلة وحلفها وتبديلها أثر بالغ فيها. فحاولنا أن ندرس أثر هلص المعتلات في المقاطع الشعرية والقافية وتش كيل الأوزان
والبحور في دراسة الموسيقی الخارجية. قد تبين لنا من خلال الدراسة أن المعتلات تعد طريقا لتنظيم المقاطع التي يحتاج إليها الشاعر في نظمه؛ فمن
أبرز ميزات المعتلات وأهمها في الشعر هو إغناء اللغة والشعر بحرو اللين لاس يما ف ي الأفع ال، کم ا ل وح أن الأش عار العربي ة انم ازت بهيمن ة
کأنها بمثابة استراحة لغوية للشاعر والقارئ تخرج اللغة م ن أن تك ون عل ی وتي رة واح دة ؛)cvv( التفعيلات ذات المقاطع الطويلة لاسيما المفتوحة
مملة أحيانا عند السامع.
الكلمات الرئيسية
عنوان المقالة [English]
Investigating the Effects of ‘Al Mu'tallat’ (Weak Verbs) on the Formation of Syllables and the External Rhythm of Arabic Poetry
المؤلفون [English]
- Ameneh Forouzankamali 1
- Muhammad Javad Pourabed 2
- Ali Asghar Ghahramai 3
1 PhD Candidate in Arabic Language and Literature, Department of Arabic Language and Literature, Faculty of Literature and Humanities, Persian Gulf University, Bushehr, Iran
2 Associate Professor of Arabic Language and Literature, Department of Arabic Language and Literature, Faculty of Literature and Humanities, Persian Gulf University, Bushehr, Iran
3 Associate Professor of Arabic Language and Literature, Department of Arabic Language and Literature, Faculty of Literature, Allameh Tabatabai University, Tehran, Iran
المستخلص [English]
The rhythmic structure of any language arises from its phonetic, morphological, and lexical structure. In Arabic, prosodic studies are related to the knowledge of word texture and syllable sequence. Therefore, the study of phonetic syllables in prosodic studies is significant in terms of structure and metre and has a significant effect on language memorization. The unlimited potential of Arabic has made it a rhythmic, balanced, and harmonious language, which distinguishes it from other languages. Due to its wide range, the rhythm has different tendencies among researchers, except that we do not find any research on the rhythmic effect of "Mu’talat" and its role in the rhythmic delicacy and the enrichment of its structure. Accordingly, researchers in the present study investigated the effect of ‘Mu'tallat’ in the formulation of Arabic syllables and the relationship of vowels in the softness of rhythm and the transmission of moderation and harmony in the rhythmic formation of the text.
The study sheds light on the effect of ‘Mu'tallat’ in enriching external music in Arabic poetry, as they affect the formulation of poetic syllables by deleting and replacing vowels in them. The Arabic syllables and their succession have a clear impact on the rhythm of poetry and its weights. The research aims to answer the following questions:
What are the effects that vowels leave on the mechanisms of external rhythm?
What is the role of the metaphors in the accidental and rhyming activations in the external rhythm of Arabic poetry?
The questions posed led to the diversification of the research into two main sections: The first section presents a brief definition of the main components in this research, namely syllables, rhythm, and vowels. The second section monitors the effect of mutilations in the formulation of syllables and the rhythm of external Arabic poetry by deleting and substituting vowels.
Arab linguists have named vowels for the letters “a-ألف/ w/واو- y/ياء” among the twenty-eight letters of Arabic. They have also named those words that contain one of these three letters in their origins as ‘Mu'tallat’. As for the rest of the Arabic letters, they called them the correct letters or the correct consonants. Thus, sound verbs, past or present, abstract or plural, are devoid of vowels except when some of the nominative pronouns related to them join. If the Arabic language consisted only of sound verbs, it would be an annoying and ugly language to hear. One of the most prominent features of ‘Mu'tallat’ is the enrichment of language and poetry with soft letters, especially in verbs. Ali Younes conducted a cross-sectional study in poetry and prose, and it was found that the rate of use of long syllables exceeds the rate of use of short and elongated syllables (see: Younes, 1993, pp. 83-98). Accordingly, the role of ‘Mu'tallat’ in the Arabic poetry metering system emerges where the Arab poet finds a way to deceive in organizing the passages he needs in poetry. It is worth noting that the Arabic language does not have the succession of similar sound syllables in the form of the correct past tense form consisting of three short syllables such as ‘kataba’.
The Arabic language tends to get rid of this by using weak verbs. This is like ‘vafā, ramā, qazā’ in the weak and defective verbs and ‘qāla, khāfa’ in the “ajwaf” verbs, and the original forms of them are qavala, khavefa, as well as their present tense. The researchers reached by extrapolation, in ancient and modern times, to the effect of vowels in the letter of rhyme at the end of a poetic verse, as if it was a linguistic break for the poet and reader.
The elongated syllable may appear in some etymological or grammatical changes, as shown in the collision of two static letters. At that time, Arabic tended to get rid of this type of syllable by converting it to the closed long syllable, either by deleting or moving. This syllable is one of the mostly used and common syllables in Arabic. This often happened in weak verbs, the vowels are removed from them, for ease of pronunciation and to get rid of heaviness in speech. Therefore, these ‘Mu'tallats’ have a great impact on the construction of poetic syllables and the elements of the meter of poetry.
The authors of the present study found that the relationship between the two sciences of prosody and morphology is evident in the language. It is a meeting point between them, as the rhythmic structure emanates from the morphological and phonetic structure. Mu'tallat is one of the great energies in the Arabic language that the poet uses as he pleases while preserving the structure of the linguistic and prosody word. Mu'tallat has a great impact on enriching language and poetry with the change and deletion of vowels, as they affect the formulation of Arabic syllables.
The sequence of syllables affects the classification of meters and the rhythm of the text. It has a clear effect on forming the long open syllable by switching the vowel. Also, its role in the formulation of the closed long syllable by deleting the vowel is clear in the present participle “ajwaf” verbs, the past “ajwaf” verb connected to the pronouns, the imperative form of the “ajwaf”, and so on. To get rid of the rejected syllable in some combinations, these two long syllables are common syllables in Arabic, and they help facilitate the pronunciation process.
الكلمات الرئيسية [English]
- Arabic Poetry
- Arabic Rhythm
- Arabic Syllables
- Mu’tallat
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